![]() Ruthie Abeliovich, Sharon Aronson-Lehavi, and Linda Ben-Zvi, eds. + Introduction, Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century, London: Bloomsbury/Methuen, 2014. Reviewed in: Israel Studies Review 27:1 (2012): 170-173.Ītay Citron, Sharon Aronson-Lehavi, and David Zerbib, Eds. Sharon Aronson-Lehavi, Editor + Introduction, Wanderers and Other Israeli Plays, In Performance Series, Seagull Books / The University of Chicago Press, 2009. Sharon Arosnon-Lehavi, Performing Religion on the Secular Stage(Routledge Advances in Theatre and Performance Studies), London: Routledge, 2023. Sharon Aronson-Lehavi, Biblical Theatre in Israel: Identity and Otherness, The Israel Democracy Institute, 2016, Hebrew. Sharon Aronson-Lehavi, Gender and Feminism in Modern Theatre, Raanana: Open University Academic Press, 2013 Hebrew. Reviewed in: The Medieval Review Online 13.09.41 Journal of English and Germanic Philology 112:4 (2013): 538-539 Medieval and Renaissance Drama in England 26 (2013): 267-268 Speculum 88:1 (2013): 249-251 Marginalia (2012): 30-34 Hortulus: The Online Graduate Journal of Medieval Studies 7:1 (2011) Sharon Aronson-Lehavi, Street Scenes: Late Medieval Acting and Performance, New York: Palgrave Macmillan, New Middle Ages Series, 2011. She also taught and lectured at the International Graduate Summer School of the Department of Theatre and Media Studies at the University of Mainz, Germany (2011 2013 2015). In 2013-2014 was the Lisa and Douglas Goldman Visiting Israeli Professor of the Helen Diller Institute for Jewish Law and Israel Studies at UC Berkeley. Until 2016 Sharon served as a senior lecturer at the Department of Comparative Literature at Bar-Ilan University. Marx (Cologne University, Germany) a grant from the Tel Aviv University Lowy International School for the joint project "Curating Theatre Histories." Her awards and grants include a Fulbright grant for doctoral studies, a Dan David post-doctoral award for research at Tel Aviv University (2005-2006), a post-doctoral grant as member in a research team supported by GIF (German Israeli Foundation) (Tel Aviv University and the Free University of Berlin 2007-2009), a membership in a research group at the Mandel Scholion Interdisciplinary Research Center in the Humanities and Jewish Studies at the Hebrew University (2015-2016), and a research grant from the Israel Science Foundation (ISF) 2017-2021 for the project "The Art of Adaptation: The Theatre of Rina Yerushalmi and the Itim Ensemble." Her work on "Video Annotation" as part of this research project was featured in the exhibition "Primary Sources: Activating the Archive" at the TAU University Gallery (2022). Sharon holds a PhD in Theatre Studies from the Graduate School and University Center, City University of New York (CUNY). In 2012 Sharon was chosen as a member of the Israel Young Academy, established by the Israel Academy of Sciences and Humanities, and served as a member of the Steering Committee (2014-2015). ![]() The lab is dedicated to researching theatrical creative processes using VR technology. ![]() Since 2022 Sharon is building the research lab under the auspices of TILabs (Tel Aviv University Innovation Labs). She is the editor of Wanderers and Other Israeli Plays (Seagull Books 2009), and co-editor of Performance Studies in Motion: International Perspectives and Practices in the Twenty-First Century (Bloomsbury 2014) and together with Sefy Hendler of the the Catalogue of Table Manners, an Interdisciplinary Project at the University Art Gallery (2019). She is the author of Performing Religion on the Secular Stage(Routledge, 2023), Street Scenes: Late Medieval Acting and Performance (Palgrave Macmillan 2011), Gender and Feminism in Modern Theatre (Open University Academic Press 2013, Hebrew), and Biblical Theatre in Israel: Identity and Otherness(IDI 2016, Hebrew). Her research focuses on the relations between ritual, religion and theatre in the late medieval and modern periods, and she also works on feminist theatre and Israeli theatre and performance. She served as Chair of the department (2017-2021) and as the Academic and Artistic Director of the University Theatre (2016-2020). ![]() Sharon Aronson-Lehavi is a theatre researcher at the Department of Theatre Arts, Faculty of the Arts. Meier Segals Garden for Zoological Researchĭr. The Steinhardt Museum of Natural History.
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"Vintage mori " girls sport a lot of lace layers, ribbons, jacquard textiles with contrasting colors and sometimes faux fur accessories. Jewellery features butterflies and anything sparkly. "Fairy tale mori " girls are often younger and favour brighter colours, longer lace layers and flower hair accessories. Macrame plant holders, soft throw blankets, and lots of book nooks. Homes oozing with hygee warmth, woods, candles and woven tapestries. Loose layers mixed with warm textiles and boots are fundamentally Mori Girl. I nspired by Scandinavian design and style, with exaggerated colours and patterns, and an essence of practicality. " North European mori ," is kinda Scandi Boho and considered the original natural mori. ![]() They often have a white tonal aesthetic which oozes light and love. "Natural mori " girls strictly adhere to wearing only cotton and linen garments. "We are the granddaughters of the witches you couldn't burn". It comes with a deepset knowing that we have generations of knowledgable and strong women before us. ![]() "Dark Mori" girls embrace the strength and power that comes with being a woman firmly planted in the pagan magic of nature. There are over 60 versions of the Japanese Mori Girl style, with looks such as Dark Mori Girl, with more of a pagan/witchy woman vibe. One of the best things about any style or look is that you can make it your own. Get that sourdough starter or kombucha mother from a friend and give it a go. Pick fruit and herbs to make your own cordials or jams. Skip the fast food and packet cakes and try your hand at some heirloom recipes. Take your time to enjoy the process of making the letter and envelope complete with some scrapbooking touches, wax stamp seals, stickers and hand illustrations.īeing a mori girl is about stepping out of the fast lane and enjoying the slower pace of life. There is nothing lovelier than receiving a hand written and thoughtfully decorated letter in the mailbox. Anything that lets you put your own sweet touches to your look is very Mori Girl. Hand make accessories with Heirloom Traditions.Įmbroider your own purse, crotchet a shawl, or french knit your own socks. Once you have a few metres, you can add some LED copper wire string lights or just hang it in your room.Ĭameras and notebooks are essential to capture the beautiful moments in life and record all of those interesting thoughts and ideas. Use the string to wrap around each item until it's secured. anything that can be added to a length of brown string to create a room garland decoration. to gather some twigs, vines, seeds, shells, flowers, stones, cicada wings. Or decorate an old book and turn it into a wonderful love letter to someone dear. ![]() Tear up an old dress and turn it into a new layering item. Break a bunch of crockery and broken jewellery items and mosaic a wall or treasure box. or your friends and families! Put some fresh eyes over something that's a little under loved and neglected and see what you can create with it to give it new life. Even if you can't get to your favourite op shop, you can definitely go op shopping in your own home. You know you're a mori girl when one of your favourite things to do is to go op shopping. If you can't get out to your local woodlands, get creative in your own backyard, or balcony with pot plants or vases. Soothe your soul in a similar way by spreading out a picnic blanket under a tree, wherever that might be. It's essentially being out in nature and absorbing all the loveliness from it. The Japanese have a term for a concept known in English as "forest bathing". Whether it's a tree, a veggie patch or some flowers, getting your hands in the dirt and waiting with patience as you nurture something over time helps slow down the monkey mind. Growing and gathering and making your own accessories, home decor and gifts are all a big part of the Mori Girl lifestyle. One that is rooted in nature and living in the slow lane. Being a Mori Girl is not all about how you look. |
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